Landmarks in the history of photography The stories behind history's most extraordinary photographs Photographs have a strange and powerful way of shaping the way we see the world and influencing our perceptions of reality. To demonstrate the unique and profound influence on culture and society that photographs have, Photo Icons puts the most important landmarks in the history of photography under the microscope. Each chapter of this special edition focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts. The book begins with the very first permanent images (Nicephore Niepce's 1827 eight-hour-exposure rooftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the present day, via the avant-garde photography of the 1920s and works such as Dorothea Lange's Migrant Mother (1936), Robert Doisneau's Kiss in Front of City Hall (1950), and Martin Parr's 'New European photography.' The author: Hans-Michael Koetzle is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), and Rene Burri (2004).
2024 Руб.
У фотографий есть странный и мощный способ сформировать то, как мы видим мир. Самые удачные образы входят в наше коллективное сознание, определяя эпохи, творя историю или просто касаясь чего-то настолько фундаментально человеческого и общечеловеческого, что становятся резонансными иконами по всему земному шару. Чтобы изучить это уникальное влияние, Photo Icons исследует некоторые из наиболее важных фотографических ориентиров под микроскопом. От некоторых из самых ранних фотографий, таких как восьмичасовая фотография Нисефора Ньепса с восьмичасовой выдержкой на крыше 1827 года и знаменитая уличная сцена Луи Дагера 1838 года, до Мартина Парра, это не только история искусства, но и индивидуальный анализ его социальное, историческое и художественное значение. Мы берем экспериментальные сюрреалистические кадры 1920-х и жесткий фотореализм 1930-х, в том числе «Мать-мигрантку» Доротеи Ланж. Мы видим властителей (Че Гевара) и сердцеедов (Мэрилин Монро), а также огромную гамму человеческих эмоций и переживаний, о которых фотография так ярко свидетельствует: из эйфорического «Поцелуя перед мэрией» (1950) Дуано. к ужасу фильма Ника Ута «Напалм против мирных жителей», в котором девятилетний Фан Тхи Ким Фук бежит обнаженным к камере от южновьетнамского напалма.Photographs have a strange and powerful way of shaping the way we see the world. The most successful images enter our collective consciousness, defining eras, making history, or simply touching something so fundamentally human and universal that they have become resonant icons all over the globe. To explore this unique influence, Photo Icons puts some of the most important photographic landmarks under the microscope. From some of the earliest photography, such as Nicephore Niepce's 1827 eight-hour-exposure rooftop picture and Louis Daguerre's famous 1838 street scene, through to Martin Parr, this is as much a history of the medium as a case-by-case analysis of its social, historical, and artistic impact. We take in experimental Surrealist shots of the 1920s and the gritty photorealism of the 1930s, including Dorothea Lange's Migrant Mother. We witness the power-makers (Che Guevara) and the heartbreakers (Marilyn Monroe) as well as the great gamut of human emotions and experiences to which photography bears such vivid witness: from the euphoric Kiss in Front of City Hall (1950) by Doisneau to the horror of Nick Ut's Napalm Against Civilians showing nine-year-old Phan Thi Kim Phuc running naked toward the camera from South Vietnamese napalm.
2750 Руб.
Photographs have a strange and powerful way of shaping the way we see the world. The most successful images enter our collective consciousness, defining eras, making history, or simply touching something so fundamentally human and universal that they have become resonant icons all over the globe. To explore this unique influence, Photo Icons puts some of the most important photographic landmarks under the microscope. From some of the earliest photography, such as Nicephore Niepce's 1827 eight-hour-exposure rooftop picture and Louis Daguerre's famous 1838 street scene, through to Martin Parr, this is as much a history of the medium as a case-by-case analysis of its social, historical, and artistic impact. We take in experimental Surrealist shots of the 1920s and the gritty photorealism of the 1930s, including Dorothea Lange's Migrant Mother. We witness the power-makers (Che Guevara) and the heartbreakers (Marilyn Monroe) as well as the great gamut of human emotions and experiences to which photography bears such vivid witness: from the euphoric Kiss in Front of City Hall (1950) by Doisneau to the horror of Nick Ut's Napalm Against Civilians showing nine-year-old Phan Thi Kim Phuc running naked toward the camera from South Vietnamese napalm.
2941 Руб.
Each chapter of the two Photo Icons volumes focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts. Volume I begins with the very first permanent images (Nicephore Niepce's 1827 8-hour-exposure rooftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the avant-garde photography of the 1920s. Volume II explores works such as Dorothea Lange's Migrant Mother (1936) and Robert Doisneau's Kiss in Front of City Hall (1950), up through Martin Parr's 'New European photography.'
544 Руб.
Each chapter of the two Photo Icons volumes focuses on a single image which is described and analyzed in detail, in aesthetic, historical, and artistic contexts. Volume I begins with the very first permanent images (Nicephore Niepce's 1827 8-hour-exposure rooftop picture and Louis Daguerre's famous 1839 street scene) and takes the reader up through the avant-garde photography of the 1920s. Volume II explores works such as Dorothea Lange's Migrant Mother (1936) and Robert Doisneau's Kiss in Front of City Hall (1950), up through Martin Parr's 'New European photography.'
571 Руб.
Masters and monographs An encyclopedia of 20th century photographers and their finest publications A comprehensive overview of the most influential photographers of the last century and their finest monographs: Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century, from the earliest representatives of classical Modernism right up to the present day. Richly illustrated with facsimiles from books and magazines, this book includes all the major photographers of the last one hundred years-especially those who have distinguished themselves with important publications or exhibitions, or who have made a significant contribution to the culture of the photographic image. The 400 entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China. Photographers A-Z focuses on photographic images and culture, but also features photographers working in "applied" areas, whose work goes beyond the merely illustrative, and is regarded as photographic art and is conserved by major museums, such as Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle, et al. Featured photographers include: Ansel Adams, Manuel Alvarez-Bravo, Nobuyoshi Araki, Diane Arbus, Richard Avedon, David Bailey, Elmer Batters, Peter Beard, Cecil Beaton, Werner Bischof, Guy Bourdin, Bill Brandt, Robert Capa, William Claxton, Anton Corbijn, Robert Doisneau, William Eggleston, Masahisa Fukase, Nan Goldin, Jean-Paul Goude, John Heartfield, Eikoh Hosoe, George Hoyningen-Huene, Seydou Keita, William Klein, Nick Knight, Neil Leifer, Peter Lindbergh, Man Ray, Robert Mapplethorpe, Inez van Lamsweerde & Vinoodh Matadin, Jean-Baptiste Mondino, Helmut Newton, Martin Parr, Irving Penn, Pierre et Gilles, Bettina Rheims, Leni Riefenstahl, Sebastiao Salgado, Steve Schapiro, Andres Serrano, Cindy Sherman, Kishin Shinoyama, Jeanloup Sieff, Lord Snowdon, Bert Stern, Larry Sultan, Mario Testino, Wolfgang Tillmans, Ellen von Unwerth, Andy Warhol, Bruce Weber, Weegee, Gary Winogrand and many more. The author: Hans-Michael Koetzle is a Munich-based freelance author and journalist, focusing mainly on history and the aesthetics of photography. He has published numerous books on photography, including Die Zeitschrift twen (1995), Photo Icons (2001), Das Lexikon der Fotografen (2002), and Rene Burri (2004).
4729 Руб.
An encyclopedia of 20th-century photographers and their finest publications Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th century alongside her or his most significant monographs. From the earliest representatives of classical Modernism right up to the present day, Photographers A–Z celebrates those photographers who have distinguished themselves with important publications or exhibitions, and who have made a significant contribution to the culture of the photographic image. The entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China. Richly illustrated with facsimiles from books and magazines, the collection also features photographers working in “applied” areas, whose work is regarded as photographic art. Star turns include Julius Shulman, Terry Richardson, Cindy Sherman, and David LaChapelle.
2731 Руб.
Arranged alphabetically, this biographical encyclopedia features every major photographer of the 20th centuryalongside her or his most significant monographs.From the earliest representatives of classical Modernism right up to the present day, Photographers A–Z celebrates those photographers who have distinguished themselves with important publications or exhibitions, and who have made a significant contribution to the culture of the photographic image. The entries include photographers from North America and Europe as well as from Japan, Latin America, Africa, and China.Richly illustrated with facsimiles from books and magazines, the collection also features photographers working in “applied” areas, whose work is regarded as photographic art. Star turns include Julius Shulman, Terry Richardson,Cindy Sherman, and David LaChapelle.
2750 Руб.
A visual journey through Vienna’s dazzling history Vienna combines drama and elegance like no other. For centuries the heart of the Austro-Hungarian Empire, the stately city on the Danube, has been defined by vast palaces and imperial grandeur—but behind the Baroque opulence, Vienna is also a place of genteel coffee house culture, epicurean tradition, and a heritage of both delicate and daring music, art, and design, from Johann Strauss to Egon Schiele, from Gustav Mahler to Josef Hoffmann. This volume is a treasure trove of photography from the last 175 years, following the evolution of Vienna from imperial capital to modern metropolis. Like a visual walk through time and cityscape, hundreds of carefully curated pictures trace the developments in Vienna’s built environment and the cultural and historical trends they reflect, whether the urban Gesamtkunstwerk of the 19th-century Ringstrasse or the experiments of “Red Vienna” in the 1920s, when the city had a social democrat government for the first time. Through these remarkable photographs, we discover not only the great landmarks and lesser-known corners of Vienna, but also the ubiquity and the tumult of its history. We see the cultural blossoming of the fin de siecle, when radical innovators such as Gustav Klimt, Egon Schiele, Adolf Loos, and Sigmund Freud turned Vienna into a “laboratory of modernity”; the clashes of 1934; the ascent of Nazi dictatorship; and the horrors writ by the Holocaust in what was once one of the most populous and multi-ethnic cities on earth. More recently, fascinating postwar photographs explore the Vienna of the Third Man, at once a city in ruins and a hub for spies. The book closes with the most recent pictures, celebrating the emergence of today’s Vienna—one of the most attractive cities in Europe, in which rich history once again coexists with international flair and vibrant contemporary culture.
12623 Руб.
Пергаментный листы, 7 полос по 6 кадров, упаковка 25 листов.Размер- 250 мм х 310 мм. Назначение: для архивного хранения 35 мм негативов.Страна происхождения — Германия, производитель — MACO PHOTO PRODUCTS / Hans O. Mahn & Co.KG. Упаковка 25 листов.
1500 Руб.
Пергаментные листы, 7 полос по 6 кадров, упаковка 100 листов.Размер- 250 мм х 310 мм. Назначение: для архивного хранения 35 мм негативов.Страна происхождения — Германия, производитель — MACO PHOTO PRODUCTS / Hans O. Mahn & Co.KG. Упаковка 100 листов.
3200 Руб.
Пергаметные листы, 4 горизонтальных полосы для хранения 120 пленки (6х7 или 6х6).Размер - 250 мм х 310 мм. Назначение: для архивного хранения негативов формата 120.Страна происхождения — Германия, производитель — MACO PHOTO PRODUCTS / Hans O. Mahn & Co.KG. Упаковка 25 листов.
1500 Руб.
Stylus Photo 1390, Stylus Photo 1400, Stylus Photo 1410, Stylus Photo R260, Stylus Photo R265, Stylus Photo R270, Stylus Photo R280, Stylus Photo R285, Stylus Photo R290, Stylus Photo R295, Stylus Photo R360, Stylus Photo R380, Stylus Photo R390, Stylus Photo RX560, Stylus Photo RX580, Stylus Photo RX585, Stylus Photo RX590, Stylus Photo RX595, Stylus Photo RX610, Stylus Photo RX680, Stylus Photo RX685, Stylus Photo RX690, Stylus Photo P50, Stylus Photo T50, Artisan 50 T0775##, T0785##, T0795##, T0805##, T0815##, T0825##, T0855##, T0815N##, T0825N##Совместимы со всеми моделями принтеров и МФУ EPSON имеющими маркировку Claria!Аналог InkMate EIM-290.
690 Руб.
Чернила совместимые, производства Lomond. Подходят для моделей плоттеров EPSON Stylus Photo 1390, Stylus Photo 1400, Stylus Photo 1410, Stylus Photo R260, Stylus Photo R265, Stylus Photo R270, Stylus Photo R280, Stylus Photo R285, Stylus Photo R290, Stylus Photo R295, Stylus Photo R360, Stylus Photo R380, Stylus Photo R390, Stylus Photo RX560, Stylus Photo RX580, Stylus Photo RX585, Stylus Photo RX590, Stylus Photo RX595, Stylus Photo RX610, Stylus Photo RX680, Stylus Photo RX685, Stylus Photo RX690, Stylus Photo P50, Stylus Photo T50, Stylus Photo T59, Stylus Photo TX650, Stylus Photo TX659, Stylus Photo TX700W, Stylus Photo TX710W, Stylus Photo TX800FW, Stylus Photo TX810FW, Stylus Photo PX650, Stylus Photo PX660, Stylus Photo PX700W, Stylus Photo PX710W, Stylus Photo PX720WD, Stylus Photo PX730WD, Stylus Photo PX800FW, Stylus Photo PX810FW, Stylus Photo PX820FWD, Stylus Photo PX820FWD, Artisan 50, L100, L200, L800, L805, L1800, L120, L1300, L132, L222, L312, L355, L362, L366, L810
434 Руб.
Чернила совместимые, производства Lomond. Подходят для моделей плоттеров EPSON Stylus Photo 1390, Stylus Photo 1400, Stylus Photo 1410, Stylus Photo R260, Stylus Photo R265, Stylus Photo R270, Stylus Photo R280, Stylus Photo R285, Stylus Photo R290, Stylus Photo R295, Stylus Photo R360, Stylus Photo R380, Stylus Photo R390, Stylus Photo RX560, Stylus Photo RX580, Stylus Photo RX585, Stylus Photo RX590, Stylus Photo RX595, Stylus Photo RX610, Stylus Photo RX680, Stylus Photo RX685, Stylus Photo RX690, Stylus Photo P50, Stylus Photo T50, Stylus Photo T59, Stylus Photo TX650, Stylus Photo TX659, Stylus Photo TX700W, Stylus Photo TX710W, Stylus Photo TX800FW, Stylus Photo TX810FW, Stylus Photo PX650, Stylus Photo PX660, Stylus Photo PX700W, Stylus Photo PX710W, Stylus Photo PX720WD, Stylus Photo PX730WD, Stylus Photo PX800FW, Stylus Photo PX810FW, Stylus Photo PX820FWD, Stylus Photo PX820FWD, Artisan 50, L100, L200, L800, L805, L1800, L120, L1300, L132, L222, L312, L355, L362, L366, L810
434 Руб.
